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The spirit of Machiavelli presides over The Jew of Malta, in which the title character relentlessly plots to maintain and extend his political influence and wealth. A paragon of remorseless evil, Barabas befriends and betrays the Turkish invaders and native Maltese alike, incites a duel between the suitors for his daughter's hand, and takes lethal revenge upon a convent of nuns.
Both tragedy and farce, this masterpiece of Elizabethan theater reflects the social and political complexities of its age. Christopher Marlowe's dramatic hybrid resonates with racial tension, religious conflict, and political intrigue — all of which abounded in 16th-century England. The playwright, who infused each one of his plays with cynical humor and a dark world view, draws upon stereotypes of Muslim and Christian as well as Jewish characters to cast an ironic perspective on all religious beliefs.
The immediate success of The Jew of Malta on the Elizabethan stage is presumed to have influenced Marlowe's colleague, William Shakespeare, to draw upon the same source material for The Merchant of Venice. The character of Barabas is the prototype for the well-known Shylock, and this drama of his villainy remains a satirical gem in its own right.
- Sales Rank: #214636 in eBooks
- Published on: 2014-07-01
- Released on: 2014-07-01
- Format: Kindle eBook
Most helpful customer reviews
4 of 5 people found the following review helpful.
A part of the great Western canon, sure, but Marlowe's play is surprisingly entertaining dark comedy
By Christopher Culver
THE JEW OF MALTA is one of the handful of works by Christopher Marlowe, the Elizabethan playwright who dabbled in political intrigue and atheist proselytizing and died in a barfight before the age of 30. As the play opens, the Ottoman Empire is threatening the Christian island of Malta, whereupon the governor expropriates the holdings of a rich Jewish trade to buy the Turks off. Barabas, this Jew of Malta, doesn't take this too kindly and hatches various plans to destroy people close to the state and church.
Even though a great number of people meet gruesome ends in the play, THE JEW OF MALTA is not the Elizabethan tragedy you might imagine from a knowledge of Shakespeare's works. Instead, Marlowe has written a black comedy where murderous plots become so over the top you can't help but chuckle. When Barabas buys a slave to assist him in his dirty work, the Jew of Malta boasts of his earlier successes in bankrupting the poor, poisoning wells, and baiting thieves to stuff them and put them on display in his gallery. The slave, trying to one-up his master, proudly claims to have burned entire Christian villages and cut the throats of patrons of the inn he once owned. No audience could take this seriously, and I'm sure that performed on the stage the play brought laughter to many Elizabethan theatre-goers. Barabas' end, far from being a moving tragical death, is a type of pure slapstick you can find in cartoons to this day.
In most ways, Barabas is a stock character meant to appeal to the anti-Semitism of the time, being a miser who heaps up piles of gold in his counting house when he's not involved in one murder or another. What is interesting, however, is how Marlowe uses Barabas to condemn the faults of Christians. Early in the play he claims that many of the monks and nuns of Malta have taken vows only to hide their sporting with each other. The townspeople condemn Barabas as being evil by nature compared to the good Christians of Malta, but his murderous intrigue mainly consists of not killing people himself, but rather fanning the flames of their already present moral faults until the wipe each other out.
THE JEW OF MALTA has been highly influential on later English literature. Shakespeare may have been responding to Marlowe's choice of main character in THE MERCHANT OF VENICE, and two of T.S. Eliot's poems take their epigraphs from Marlowe's play. I'd certainly recommend it for its importance in the canon, but beyond that for its entertainment value. Written in Elizabethan English, set in a very different time and place than what we know, it nonetheless succeeds as dark comedy to this day.
1 of 1 people found the following review helpful.
I purchased this book for a religious studies class I ...
By Lorencita Emerson
I purchased this book for a religious studies class I was taking. It is interesting to ready. A little hard to follow especially with the language. I had to read some passages more than a few times to understand what was going on. But the content was incorporated very well with the other reading material that was assigned with this book. Very interesting.
0 of 0 people found the following review helpful.
Three Stars
By William D. Tompkins
old world story. was ok
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