Free Ebook To Love Another Person: A Spiritual Journey Through Les Miserables, by John Morrison
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To Love Another Person: A Spiritual Journey Through Les Miserables, by John Morrison
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Les Misérables, the powerful story of Jean Valjean's redemption, is beloved by readers and theatre goers everywhere. Why? Because Victor Hugo's epic novel explores, through Valjean's heroic journey and transformations, truths and delusions about politics, morality, justice, religion, and both romantic and familial love. In this invaluable companion and guide to Hugo's masterpiece author John Morrison shares with Les Miz fans the spiritual depth and breadth of this classic novel and popular Broadway musical.
- Sales Rank: #590607 in eBooks
- Published on: 2012-11-11
- Released on: 2012-11-11
- Format: Kindle eBook
Most helpful customer reviews
6 of 7 people found the following review helpful.
Penetrating, rich, seminal
By James Como
In his endorsement of Morrison's book, the great Thomas Howard has, correctly I think, called it literary and dramatic criticism of high excellence. More important, though, are Howard's references to Morrison as teacher and theologian: these cut more closely to the real achievement of To Love Another Person. Richly allusive (though easily so: Morrison's learning and his assimilation of it seem ever-present to his mind), the author's devotional reach and authenticity are utterly engaging -- and very quickly dynamic. The reader's vision -- first of Hugo's book, then of the Musical, thereafter of redemption, and finally of her or his own encounter with redemptive love -- are made anew. It should occur to some publisher simply to publish Hugo's book and Morrison's as a twin set, so intimately are they joined one to the other and eventually to the receptive reader.
2 of 2 people found the following review helpful.
A Thought Spiritual Journey Indeed
By Amazon Customer
John Morrison gives the reader a great great insight into the spitituality woven throughout Victor Hugo Les Miserables. It reveals with joy and clairity the healing nature of God love throught the redemption of Jean Valjean. The characters of the book and musical are explored to reveal the plight of our humanity in the light of Christ.
If you like Les Mis, you will love this book.
Fr. Rick Simpson
3 of 4 people found the following review helpful.
A fine example of cultural apologetics
By Louis Markos
Morrison's fine book advances apologetics without beating the arts into a systematic box. His book succeeds in five areas that are vital to a fully integrated cultural apologetics that engages contemporary worldviews in a transforming and redemptive way.
First, Morrison structures his book around a parallel analysis of Victor Hugo's great novel and the acclaimed musical it inspired. By focusing on both versions of Hugo's timeless tale, Morrison builds a bridge between two very different genres (sadly, he makes no reference to any of the excellent French and English film versions), and shows how the central message remains constant while yet being subtly transformed in its journey from page to stage. Living as we do in a multi-media society where sounds and images carry as much (if not more) weight than the written word, we need cultural apologists who can move smoothly from one medium to another. The Bible itself uses dozens of distinct genres to convey its teachings, bearing witness to the fact that God was aware of the need for different learning strategies long before it became a fixture in modern and postmodern schools of education.
Second, he makes it clear that he chose to write on the musical version of Les Miserables because of the profound impact it has had on audiences of all ages, cultures, and religions. He recognizes that, whatever the actual faith of the authors of the novel and musical, the show has imparted grace to millions of people across the world. In post-Christian London, the musical has played non-stop for over 25 years, and it has been translated into 21 different languages, including Estonian, Norwegian, Hebrew, and Japanese. An apologist who wishes to win back the culture for Christ simply cannot ignore a work of art that has so profoundly touched so many people. Our world is hungry for grace and for stories that make that grace real.
Third, all the characters in both versions of Les Miserables are defined, in one way or another, by their relationship to God--whether they love him or hate him, know him or seek to hide from him, use him for their own agenda or let themselves be used by him for the good of their fellow man. Morrison is sensitive to this aspect of the story, and it allows him to explore dimensions of the human person that are often left out of logic-based apologetics books. Why is it that one person can have strong evidence for the existence of God and yet reject him, while another, who has been vouchsafed but the slightest glimpse of his presence, can seek him to the ends of the earth? Why is it that one who knows and respects and upholds the law cannot see past it, while another who has broken the law can perceive a truth that transcends the law?
Fourth, Morrison presents the character arcs of Jean Valjean, Javert, Fantine, Cosette, Marius, and the Thenardiers in terms of a journey. Too often, Christians (especially evangelicals like myself) place all their focus upon the moment of decision, when we accept Christ's sacrifice and take it onto ourselves. By allowing us to journey alongside the characters, Morrison reminds us that our movements toward and away from God exist on a continuum that is dynamic and that often shifts throughout our lives. The surrender to Christ calls for a life-long series of little deaths to our self, our pride, our fears, and our desire for control. Morrison shows us that a meditation on Les Miserables can bring the reality of the Cross before us in a way that is more powerful and lasting than any theological study of the meaning of Calvary.
Fifth, Morrison sets his analysis of Les Miserables within a wider dialogue that includes the voices of C. S. Lewis, G. K. Chesterton, Charles Williams, T. S. Eliot, Augustine, Dante, Donne, George Herbert, Thomas Traherne, Tolstoy, Dickens, and Richard John Neuhaus. Morrison, an Episcopal priest and retired English teacher, quotes these writers, not to impress us with his wide reading, but because he understands that art does not exist in a vacuum.
With the success of the film version of the Les Mis musical, Morrison's book takes on even greater relevance and will challenge and inform lovers of the film.
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